ARCHIVES OF March, 2010
By Steven Pressfield | Published: March 12, 2010
Part One of Four
Gen. Mattis in Marjah, Helmand province, 28 Feb 2010
1. Jim Mattis is a four-star Marine general. He doesn’t go out of his way to be quotable; he just can’t help himself. Here, from Iraq 2004, are his instructions to the Marines under his command on how to conduct themselves with the natives they will encounter.
Be polite. Be professional. But have a plan to kill everyone you meet.
In the first battle of Fallouja, Gen. Mattis commanded the Marines assigned to take the city. There came a point during the fighting when Mattis had to negotiate with the Sunni sheikhs and Baathist ex-army officers who claimed they wanted to quit, but whose acquaintance with the truth had been a little dubious.
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By Steven Pressfield | Published: March 11, 2010
The following is another installment of the Tribal Engagement Tutorial series, written by Major Jim Gant and MAC McCallister. It is a long post, so stick with it. It describes key differences between a shura and a jirga, as well as guidance on when to call for one, how to prepare, how to act, what to say, and so on. Thank you to both of them for pulling this together.
According to NATO’s military chief of intelligence in Afghanistan, the Taliban now maintain shadow governors in thirty-three out of thirty-four provinces. While we like to see the world in black and white, the complexities of relationships and alliances in the village and valley make it anything but a straightforward contest between two parties. The U.S. strategy of stripping away Taliban loyalists is not easy in a very complex socio-political landscape. This landscape includes different types of traditional authority, local rivalries and the various configurations of social power in each village and valley. (more…)
By Steven Pressfield | Published: March 10, 2010
“Write for a star” is one of the primal axioms of screenwriting, but it has applications across many other fields as well.
What does it mean to write for a star? Writing for a star means create a role that a star wants to play. Your story may be dynamite, your structure may be sound, your theme profound and involving. But the first question a producer is going to ask is, “Who can I cast in this thing?” (more…)
