By Callie Oettinger
Published: February 17, 2017
(This post went up almost 3.5 years ago. Bringing it back for a rerun today.)
I started this post Wednesday.
Thursday I read this from Seth Godin:
What “no” means
- I’m too busy
- I don’t trust you
- This isn’t on my list
- My boss won’t let me
- I’m afraid of moving this forward
- I’m not the person you think I am
- I don’t have the resources you think I do
- I’m not the kind of person that does things like this
- I don’t want to open the door to a long-term engagement
- Thinking about this will cause me to think about other things I just don’t want to deal with
What it doesn’t mean:
- I see the world the way you do, I’ve carefully considered every element of this proposal and understand it as well as you do and I hate it and I hate you.
Thursday afternoon, Jonathan Fields’ “When No Means Go” arrived in my in box.
Seems a few of us have no on the mind this week.
As the third one in the ring . . . It’s the reaction to no that’s been on my mind.
Posted in What It Takes
by McKee, Robert
I always say that McKee is not only the best teacher of writing I’ve ever seen, but the best teacher of anything. I’ve taken this three-day intensive course twice—and I’ll take it again. Yes, McKee has been spoofed (in the movie Adaptation) and lionized (in a New Yorker profile.) But that’s because he’s the best. Full disclosure: McKee and I are friends. McKee wrote the foreword for The War of Art. McKee teaches this class in cities all over the U.S. and Europe, even as far away as Israel and Singapore.