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What It Takes

What It Takes

Go Dark

By Shawn Coyne
Published: October 17, 2014

[Join www.storygrid.com to read more of Shawn’s Story Philosophy]

How do you choose what kind of story you want to tell?

Maybe you do it by thinking up a “What if” Event—what if terrorists attacked in the middle of the Super Bowl*?

Maybe you do it thinking of a “What if” Protagonist—what if the hero of my story is an inanimate object**?

Freddy Krueger, one insprired force of antagonism

Obviously, you can’t have a story without events and protagonists. But is there another way to goose yourself into a feverish writing jag? One that can sustain you for an entire first draft?

My advice to anyone tinkering in their heads about a big Story is to put both Events and Protagonists aside.  Especially in the primordial stage. You’ll have no shortage of anguish with those two elements in the future, but for now—when you’re just doing internal spit balling—forget about them.

Instead go dark.

The most important element in any story is the force/s of antagonism. If you create incredibly specific forces of antagonism that you want to explore, the choice of genre to expose that darkness becomes crystal clear.


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FROM MAC McCALLISTER

From MAC McCallister

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