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Writing Wednesdays

Writing Wednesdays

Killer Scenes, Part Four

By Steven Pressfield
Published: February 25, 2015

In last week’s post we were examining the idea that from a single modest fragment—a scene, or even a couple of lines of text—we as writers can extrapolate a big bite of the global work. Let’s keep biting.

Jared Leto as Hephaestion in Oliver Stone's "Alexander"

Here, to refresh our memories, are the two lines that popped into my head one day about ten years ago and that I knew at once were the opening sentences of a book (though I had no idea what book, or what that book would be about):

I have always been a soldier. I have known no other life.

Last week we unpacked from these lines our protagonist, our narrator, our point of view, theme, about two hundred pages of text, and our interior villain. Let’s keep going. What else is implied by these two lines?

First, an identifiable emotion. Pride. When our narrator and protagonist Alexander says, “I have always been a soldier,” he is clearly not ashamed of this. He’s not ambivalent. He is proud.

So we know this book is not going to be Dr. Strangelove or Oh, What A Lovely War.” It’s going to be the unapologetic testament of a warrior and a conqueror. He’s going to depict the soldier’s craft as a noble calling, the “profession of arms.” And since we know from history that Alexander indeed conquered the world, we can imagine that he will be writing in praise of material ambition, in praise of military victory, and that he will be citing, as the foundation of these, the virtues of a soldier.

What are the virtues of a soldier?

Courage, patience, self-command, the willing endurance of adversity, love of honor, love of one’s comrades, contempt for death, etc.

I wound up titling this book The Virtues of War. It was divided into nine books. Each one was titled after a specific virtue.

Both these came, again, from those first two sentences.

So now we’ve added our title and our division of structure. There’s more. Let’s go back to the first two sentences.

Alexander in real life was a warrior, a king, and a conqueror. Yet he doesn’t use any of those words in his first two self-descriptive sentences. The word he uses is “soldier.”

What does he mean? Soldier is a humble word. A soldier tramps through the muck, he sleeps in the dirt, he lives in the weather. “Soldier” doesn’t imply anything lofty. A soldier is not necessarily issuing orders; more likely he’s obeying them.

Yet Alexander picked this word to describe himself, and to describe himself with pride.

Clearly the qualities that make a warrior are to him humble, simple, and basic.

When I was ten I begged Telamon [a mercenary and tutor of Alexander] to teach me what it meant to be a soldier. He would not respond in words. Rather he packed Hephaestion [Alexander's boyhood friend] and me three days into the winter mountains. We could not get him to speak. “Is this what being a soldier means, traveling in silence?” At night we nearly froze. “Is this what it means, enduring hardship?”

At the third dusk we chanced upon a pack of wolves chasing a stag onto a frozen lake. Telamon spurred onto the ice at the gallop. In the purple light we watched the pack fan out in its pursuit, turning the prey first one way, then another, always farther from the treeline and the shore. Wolf after wolf made its run at the fast-fatiguing buck. At last one caught him by the hamstring. The stag crashed to the ice; in an instant the pack was on him. Before Hephaestion and I could even draw rein, the wolves had torn his throat out and were already at their feed.

“That,” Telamon declared, “is a soldier.”


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BOOKS

Books
The Profession

The Profession

The year is 2032. The third Iran-Iraq war is over; the 11/11 dirty-bomb attack on the port of Long Beach, California is receding into memory; Saudi Arabia has recently quelled a coup; Russians and Turks are clashing in the Caspian Basin. Everywhere military force is for hire. Oil companies, multinational corporations and banks employ powerful, cutting-edge mercenary armies to control global chaos and protect their riches.

Do The Work

Do The Work

Do The Work isn't so much a follow-up to The War of Art as it is an action guide that gets down and dirty in the trenches. Say you've got a book, a screenplay or a startup in your head but you're stuck or scared or just don't know how to begin, how to break through or how to finish. Do The Work takes you step-by-step from the project's inception to its ship date, hitting each predictable 'Resistance point' along the way and giving techniques and drills for overcoming each obstacle. There's even a section called 'Belly of the Beast' that goes into detail about dealing with the inevitable moment in any artistic or entrepreneurial venture when you hit the wall and just want to cry 'HELP!'

The Warrior Ethos

The Warrior Ethos

The Warrior Ethos was written for our men and women in uniform, but its utility, I hope, will not be limited to the sphere of literal armed conflict. We all fight wars--in our work, within our families, and abroad in the wider world. Each of us struggles every day to define and defend our sense of purpose and integrity, to justify our existence on the planet and to understand, if only within our own hearts, who we are and what we believe in.

We are all warriors. Do we fight by a code? If so, what is it? What is the Warrior Ethos? How do we (and how can we) use it and be true to it in our internal and external lives?

Killing Rommel

Killing Rommel

Autumn, 1942. Hitler's legions have swept across Europe; France has fallen; Churchill and the English are isolated on their island. In North Africa, Rommel and his Panzers have routed the British Eighth Army and stand poised to overrun Egypt, Suez, and the oilfields of the Middle East. With the outcome of the war hanging in the balance, the British hatch a desperate plan -- send a small, highly mobile, and heavily armed force behind German lines to strike the blow that will stop the Afrika Korps in its tracks.

The Afghan Campaign

The Afghan Campaign

A riveting historical novel that re-creates Alexander the Great's invasion of the Afghan kingdoms in 330 B.C., a campaign that eerily foreshadows the tactics, terrors and frustrations of contemporary conflicts in Iraq and Afghanistan. Narrated by Matthias, an infantryman in Alexander's army, The Afghan Campaign explores the challenges, both military and moral, that Alexander and his soldiers face as they embark on a new type of war and are forced to adapt to the methods of a ruthless foe that employs terror and insurgent tactics, conceals itself among the civilian populace, and recruits women and boys as combatants.

The Virtues of War

The Virtues of War

I have always been a soldier. I have no other life So begins Alexander's extraordinary confession on the eve of his greatest crisis of leadership. By turns heroic and calculating, compassionate and utterly merciless, Alexander recounts with a warrior's unflinching eye for detail the blood, the terror, and the tactics of his greatest battlefield victories. Whether surviving his father's brutal assassination, presiding over a massacre, or weeping at the death of a beloved comrade-in-arms, Alexander never denies the hard realities of the code by which he lives: the virtues of war. But as much as he was feared by his enemies, he was loved and revered by his friends, his generals, and the men who followed him into battle. Often outnumbered, never outfought, Alexander conquered every enemy the world stood against him — but the one he never saw coming....

Last of the Amazons

Last of the Amazons

In the time before Homer, the legendary Theseus, King of Athens (an actual historical figure), set sail on a journey that brought him into the land of tal Kyrte, the "free people," a nation of proud female warriors whom the Greeks called "Amazons." The Amazons, bound to each other as lovers as well as fighters, distrusted the Greeks, with their boastful talk of "civilization." So when the great war queen Antiope fell in love with Theseus and fled with the Greeks, the mighty Amazon nation rose up in rage.

Tides of War

Tides of War

If history is the biography of extraordinary men, the life of Alcibiades (451-404 B.C.) comprises an indispensable chapter in the chronicle of the Western world. Kinsman of Pericles, protégé of Socrates, Alcibiades was acknowledged the most brilliant and charismatic personality of his day. Plutarch, Plato, and Thucydides have all immortalized him. As the pride of Achilles drove the course of the Trojan War, so Alcibiades' will and ambition set their stamp upon the Peloponnesian War--the twenty-seven-year civil conflagration between the Athenian empire and Sparta and the Peloponnesian league.

Gates of Fire

Gates of Fire

In 480 B.C., an invading Persian army, two-million strong, came to the mountain pass of Thermopylae in eastern Greece. Led by King Xerxes, they were met by the finest three hundred Spartan warriors where the rocky confines were so narrow that the Persian multitudes and their cavalry would be at least partially neutralized. Here, the Greek loyalists hoped, the elite force could hold off, at least for a short while, the invading millions.

The War of Art

The War of Art

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success.

The Legend of Bagger Vance

The Legend of Bagger Vance

In the Depression year of 1931, on the golf links at Krewe Island off Savannah's windswept shore, two legends of the game, Bobby Jones and Walter Hagen, meet for a mesmerizing thirty-six-hole showdown. Another golfer will also compete--a troubled local war hero, once a champion, who comes with his mentor and caddie, the mysterious Bagger Vance. Sage and charismatic, it is Vance who will ultimately guide the match, for he holds the secret of the Authentic Swing. And he alone can show his protégé the way back to glory.

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Gates of Fire
The War of Art
Turning Pro
The Profession
The Warrior Ethos
Do The Work
Tides of War
The Afghan Campaign
The Virtues of War
Killing Rommel
Last of the Amazons
The Legend of Bagger Vance
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