Writing Wednesdays
Writing a Great Villain
By Steven Pressfield
Published: May 31, 2017
The easiest villain to write is the external villain. The Alien. The shark in Jaws. The Terminator. Doc Ock, Bane, Immortan Joe. Or force-of-nature villains—the volcano in Volcano, the oncoming Ice Age in The Day After Tomorrow, the Mayan-prophecy-end-of-the-world in 2012.

The villain in “ALIEN: Covenant.” Can we do better?
External villains present existential threats to our physical existence. These sonsofbitches will kill you, eat you, freeze you, boil you.
The problem with external villains, though they may occasionally deliver bestseller sales and boffo box office, is they don’t often bring out the best in the stars who must confront them.
Why? Because the stars only have to duel these villains on one level (and the most superficial level, at that): the physical.
Much higher on the Villain Food Chain are
- Societal villains.
- Interior villains.
The villain in Huckleberry Finn, To Kill A Mockingbird, In the Heat of the Night and many, many others down to The Hurricane, Precious, and The Help, is racism.
Racism is a societal villain.
An individual character or characters may personify this antagonist in our narrative, as the jury or the mob or Bob Ewell did in Mockingbird. But the real villain is all-pervasive. It’s that cruel, ignorant, evil belief—”I have a right to dominate you because my skin is a different color than yours”—that exists only in men’s minds and hearts.
Societal villains are great villains, and they have produced great stars/heroes to confront them.
Do you remember The Way We Were? The Way We Were was a vehicle for two superstars in their prime, Robert Redford and Barbra Streisand, and it provided both of them with roles worthy of their peak power.
Who was the villain?
The villain, again, was societal. It was the ethno-racist belief that “Park Avenue” was different from “Brooklyn” and that people whose characters were formed in such environments—WASPy, athletic, born-golden Hubbell Gardiner and Jewish, striving, up-from-the-streets Katie Morosky—could never truly come together.

Barbra Streisand and Robert Redford in “The Way We Were”
The chasm between them because of their ethnicities and the different worlds they grew up in was so vast that it could not be bridged even by a great love.
The villain wins in the end of The Way We Were.
But the battle against this antagonist—the passionate, complex, tragic struggle by Katie and Hubbell to maintain their love—is an epic, world-class throwdown, with layer upon layer of emotional and psychological depth. The clash with this villain was worthy of two superstars.
The stars made the roles, but the villain made the stars.
The third type of villain, and the most satisfying dramatically, is the interior villain.
The interior villain is inside the star herself.
Karen Blixen’s need to “possess” the things she loves.
Hamlet’s inability to make up his mind and act.
Gatsby’s dream of recapturing a past that never really existed.
External villains exist as metaphors. The Alien represents … what? Pure evil? Death? Pitiless fate?
But interior villains show us the demons you and I really deal with in our real lives—the crazy shit inside our skulls.
Silver Linings Playbook made stars out of Bradley Cooper and Jennifer Lawrence.
One reason: a great villain.

“So think about that dance thing.” Bradley Cooper and Jennifer Lawrence in “Silver Linings Playbook.”
The villain in Silver Linings Playbook is interior. It exists inside Bradley Cooper’s head. The villain is his obsession, fueled by his bipolar disorder, with winning back his wife Nikki, whom he has alienated by his extravagant behavior in the past.
This villain is in every scene of the movie, from first to last.
PAT (BRADLEY COOPER)
[Nikki and I] have a very unconventional chemistry. It
makes people feel awkward, but not me. Alright? She’s the
most beautiful woman I’ve ever been with. It’s electric between
us! Okay, yeah, we wanna change each other, but that’s normal,
couples wanna do that. I want her to stop dressing like she
dresses, I want her to stop acting so superior to me, okay?
And she wanted me to lose weight and stop my mood swings,
which both I’ve done. I mean, people fight. Couples fight. We
would fight, we wouldn’t talk for a couple of weeks. That’s
normal. She always wanted the best for me.
TIFFANY (JENNIFER LAWRENCE)
Wow.
PAT
She wanted me to be passionate and compassionate.
And that’s a good thing. You know? I just, look, I’m my
best self today and I think she’s her best self today, and
our love’s gonna be fucking amazing.
TIFFANY
It’s gonna be amazing, and you’re gonna be amazing,
and she’s gonna be amazing, and you’re not gonna be that
guy that’s gonna take advantage of a situation without
offering to do something back. So think about that
dance thing.
See the villain in there? It’s in every word and it’s more terrifying than the Alien and the Predator and the Monsters of the Id from Forbidden Planet. This demon will devour not just Bradley’s soul but Jennifer’s too if it can, and it’s in every cell in Bradley’s body, as invisible to him as water is to a fish swimming in it.
What a hero Bradley will be if he can somehow, either alone or aided by Jennifer, see the real love that’s staring him in the face and recognize this Nikki-self-delusion for the monster it is—and change himself.
Spoiler alert: he does.
That’s a hero.
That’s a star.
(And count Jennifer too, because she’s fighting the same villain.)
What made that star was the scale and depth of the villain he (and she) had to fight.
Posted in Writing Wednesdays
13 Comments
ADDITIONAL READING » WARFARE: ANCIENT AND MODERN

Accidental Guerilla, The
by Kilcullen, David
Alamein to Zem Zem
by Douglas, Keith
Douglas was a poet fresh out of Oxford who served (and was killed) with the armoured forces under Montgomery, when the British finally overcame Rommel after years of being out-ranged, out-gunned and out-generaled. Douglas’ keen and jaundiced eye misses little. This isn’t the most polished book, but it is immediate and authentic as hell.
Art of War, The
by Sun Tzu
Attacks
by Rommel, Erwin
This is from the Desert Fox—before he became the Desert Fox. Rommel recounts his experiences as a young infantry officer in World War I. Studied to this day by our Army and Marines, this book gives new meaning to the phrase “balls of steel.”
Best and the Brightest, The
by Halberstam, David
Blood Stripes
by Danelo, David
Blood Stripes is Danelo’s account of infantry actions fought by Marines in Fallujah and Husaybah in 2004, recounted from the point of view of NCOs he knew and fought alongside. Great stuff!
Boyd: the Fighter Pilot Who Changed the Art of War
by Coram, Robert
Fascinating true saga of the misunderstood genius who introduced the concept of Maneuver Warfare to the contemporary armed services—and paid the price.
Bravo Two Zero
by McNab, Andy
Ripping, high-testosterone (and true) yarn of a British SAS patrol dropped behind the lines during the first Gulf War. Told by its leader, the most-decorated soldier in the British Army, as of his discharge in 1993.
Brazen Chariots
by Crisp, Robert
A bit hard to find, but worth it if you’ve ever wondered what it’s like to fight tank battles in the North African desert. Terrific first-person non-fiction, about the British Seventh Armoured Division dueling Rommel and the Afrika Korps in WWII. What I love about books like these is not just the “ripping yarn” aspect or the vivid details or the sense of absolute authenticity and authority, all of which are here in spades, but the feeling you get for the man himself. Both this book and the one by Cyril Joly (Crisp and Joly were friends) let you into the minds and hearts of these tremendously admirable, flesh-and-blood humans, with their senses of humor, despair—everything.
Counterinsurgency Warfare: Theory and Practice
by Galula, David
Desert War, The
by Moorehead, Alan
Simply indispensable. Classic stuff by the Aussie war correspondent who could scribble a note on a cocktail napkin and make it fascinating. See also his African Trilogy.
Eastern Approaches
by Maclean, Fitzroy
You would think, being a novelist, that I would like to read novels. But I much prefer memoirs. I love the characters of the writers, particularly when they’re not professionals. Fitzroy Maclean was stuck in the Foreign Service on the brink of WWII and wanted to go to war; the only way the government would let him was if he became a Member of Parliament. So he did. It gets better from there, including desert service with the SAS and all kinds of mad adventures in the Balkans, the Orient, Afghanistan.
Forgotten Soldier, The
by Sajer, Guy
Possibly the best book to come out of World War II. Horrific, ghastly, true-life memoir of a young German infantryman and his kamaraden as they fall back, back, back against the unstoppable tide of the Russian Army, from 1943–1945.
Lost Victories
by von Manstein, Field Marshal Erich
Another classic. The same story as told in The Forgotten Soldier by Guy Sajer, but from the opposite end of the food chain: the supreme German brass. Von Manstein’s private confrontations with Hitler are alone worth the price of the book.
No True Glory
by West, Bing
On War
by von Clausewitz, Carl
One Bullet Away
by Fick, Nathaniel
The Iraq War by a Dartmouth-educated Recon Marine who was in the first wave into Baghdad. Lean, vivid, fair-minded, by a born writer from whom we will be hearing much more.
One Tribe at a Time
by Gant, Jim
The “One Tribe At A Time” series on “It’s the Tribes, Stupid” launched at the end of September 2009, with an excerpt from Major Jim Gant’s paper of the same name. In the following weeks, more excerpts were pulled and discussed, with Jim’s “One Tribe At A Time” released in full about four weeks later. The discussion of Jim’s paper spread from there, and went viral among the policy and military communities in particular.
One Tribe at a Time: The Way Forward
by Gant, Jim
Sand, Wind and War
by Bagnold, Ralph
The founder of WWII’s legendary Long Range Desert Group tells his life story, including all kinds of interesting and unexpected dimensions (his sister wrote National Velvet), including the tale of his landmark scientific paper, “The Physics of Blown Sand.”
Seven Pillars of Wisdom
by Lawrence, T.E.
Sling and the Stone, The
by Hammes, Thomas X.
Am I favoring Marines? Not without cause, with this outstanding contemporary introduction to the concept of Fourth Generation Warfare, the kind of post-guerrilla conflict our troops are fighting now—and are likely to keep fighting for decades to come.
Small Wars Journal
by Small Wars Foundation
Strongest Tribe, The
by West, Bing
Take These Men
by Joly, Lt. Col. Cyril
You’ll have to go way back in the stacks to find this one, but again, it’s worth the trip. Vividly told and superbly detailed account of the British in North Africa, from 1940 to 1942, fighting first the Italians and then Rommel and Panzerarmee Afrika. I love these self-effacing Englishmen, who in real-life performed prodigies of courage and endurance, and yet recount the tale with understated yet passionate brilliance. Like Brazen Chariots, you read this book and wish you could shake hands with the author and say, “Thank you.”
To War with Whitaker: Wartime Diaries of the Countess of Ranfurly, 1939–45
by Ranfurly, Hermione
When Lt. The Honourable Dan Ranfurly went off to war, his wife Hermione followed. (So did Whitaker, Dan’s faithful valet.) Young Lady Ranfurly, whose only marketable skill was a fair hand at the typewriter, talked her way into various clerical and embassy jobs in Cairo and the Middle East, while her young officer husband fought in the desert, got captured by the Afrika Korps, etc. There’s not a dollop of sex in this book, yet it remains one of the great documents of romance, just because of all the hell Hermione goes through to be within a hundred miles of her beloved Dan. When at last they rush into each other’s arms for a fleeting moment on a railway platform and she writes, “Happiness is being together,” there wasn’t a dry eye in my house.





















