By Shawn Coyne
Published: March 20, 2015
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Congratulations, you now have a first draft, the raw materials for your Story.
The first draft is what Steve Pressfield calls “covering the canvass.” It has nothing to do with anyone else but you. Refrain from talking about your first draft or any particular section or sentence you recall fondly from it to any outsider…even your spouse.
You’ll probably end up cutting or changing the best parts or lines anyway and there is definitely something to not voicing creative work until you’ve thrashed it out until you’re, if not satisfied, exhausted.
When your friends ask, “How’s the book coming along?” just smile and say, “I’m making progress.” Leave it at that. If they press you for details just say that you are a superstitious person and that you made a pact with yourself that you won’t talk about the work until it’s ready for other eyes. When they ask when that will be, you can say, probably after about five drafts. Then get out of the conversation. If you can avoid it, and I highly recommend you do, don’t tell them anything about the project. Not a title, not a concept, nothing.
I can’t tell you how many writers, myself included, who regret saying anything about their works in progress. I’ll tell you why. You cannot “pitch” a project that is not complete. You’ll inevitably screw it up or worse, fudge it and recast it to please your audience.
And when you get back to your desk the next day, you’ll feel like shit. You’ll feel like you’ve betrayed the work that you’ve already done. Pulled off the towel and revealed the naked truth of it…that it’s half-baked, it’s derivative etc.
The fact is that your first draft and/or notes on writing the first draft aren’t even close to half-baked. You are merely pulling together the ingredients to make something later on. How can you describe a brand new kind of cake if you haven’t made it yet? You can’t. So be quiet. The first draft and everything in your head that is swimming around on the entire project is sacred. If you can, don’t even tell anyone that you’re writing. Seriously.
Okay, so now you have a blob of material called a first draft. You have no idea if any of it is working. You don’t know where the problem areas are, nor do you know the strengths of the work either. How can you possibly figure that out?
Posted in What It Takes
ADDITIONAL READING » CLASSICAL GREECE
by Forde, Steven
Brilliant scholarly dissertation on the mind-set of Alcibiades and the politics of imperialism in ancient Athens. You’ve gotta be a real aficionado to find this book (try your local college library) and get through it. But it will reward the serious reader. I borrowed all kinds of goodies from Forde for Tides of War.
by Morrison, Coates, and Rankov
Triremes were the famous ancient warships with three banks of oars. The problem: no one of the past 1500 years knew how the old guys did it. All design and engineering has been lost. The authors of this book play detective, scouring ancient texts, coins, carvings, and using their own imaginations. They figure it out, then build a trireme of their own. It works! Fascinating.
by Xenophon (Loeb Library, two volumes, translated by Walter Miller)
Though this book purports to narrate the upbringing and conquests of the great Persian king, in truth the society Xenophon describes is that of Sparta (no outsider knew it better than he), complete with “peers,” good manners at the dinner table, and why a true warrior never urinates on campaign (he should have eliminated excess water entirely by sweating).
by Herodotus (translated by Aubrey de Selincourt)
This is the book “The English Patient” was carrying. Funny, personal, and very entertaining, this book recounts the history of the clashes between Greeks and Persians, out of which arose the modern world. The battle of Thermopylae is in here—and Marathon, Salamis, and Plataea—plus dozens of zany, fascinating flashes into ancient life.
by Thucydides (translated by Rex Warner)
Tough sledding because of the dense but absolutely brilliant prose. May be the greatest book on war and human nature ever written. Timeless.
by Houston, Paul
My friend Paul Houston, in England, put together Sparta World, a work-in-progress website for Spartaphiles and aficionados of all things Spartans. The site is interesting in and of itself (and constantly evolving) and also a great jumping-off point and clearinghouse for re-enactor groups, hoplite fighters, artists, writers, and all other contemporary upholders of the Lakedaemonian tradition and ethos—and just for the fun of it. Paul invites all interested groups and individuals to contact him, link to the site, and network with their “peers.”
by Thucydides (edited by Robert B. Strassler)
A different but also excellent translation—but this one comes with maps, dozens and dozens, down to postage-stamp sizes, on almost every page. They help.
by Plato (translated by Hugh Tredennick)
Okay, okay . . . Two works by Plato . . . Translated by Hugh Tredennick, The Last Days compiles four dialogues into an organic whole narrating the trial, conviction, and death by hemlock of Socrates. Deep stuff on the subject of dying.
by Plutarch (translated by Richard J.A. Talbert)
The best one-book introduction to Sparta and Spartan thought. Several of Plutarch’s Lives of famous Spartans, plus Sayings of the Spartans and Sayings of the Spartan Women. Start here.
by Xenophon (translated by Rex Warner)
Ten thousand Greek mercenaries follow Cyrus the Younger’s three months’ march into the wilds of Persia, then lose the battle they came to fight. Xenophon was there as a young officer. His tale of the Greeks’ long and harrowing retreat against the hordes determined to obliterate them is justifiably immortal. Hollywood’s The Warriors, about a street gang from Brooklyn, was cleverly knocked off from this.
Easiest to read of all “the sources.” Short bios, packed with anecdotes and wisdom, of every great man of the Classical era. Plutarch wrote them in pairs, juxtaposing Caesar to Alexander, Alcibiades to Coriolanus, that sort of thing. My faves: Lycurgus, Solon, Themistocles, Alcibiades, Alexander.
This Penquin paperback assembles the lives of all the major players in Athens’ rise and fall—Theseus, Solon, Themistocles, Cimon, Pericles, Nicias, Alcibiades, and Lysander. A brilliant editorial concept, The Last Days can be pretty scary when you read-in the parallels to the contemporary United States.
by Lazenby, J.F.
Another hard-to-track-down work (try the Reference Librarian) that may lack the readable touch, but is crammed with great esoteric stuff like what the Spartans called a platoon leader [an enomotarch.] Only for true Sparta fanatics.
by Cartledge, Paul
Chairman of the Classics faculty at Cambridge, Cartledge is the expert, from whom I have also borrowed major tonnage. Here he’s not writing an exhaustive, all-inclusive tome, but hitting the high spots with great depth, if you know what I mean.
by Plato (translated by Walter Hamilton)
Hard to pick only one work from this great writer, thinker, and wrestler (Plato was his nickname, meaning “broad-shouldered”) and protégé of Socrates, but this is it. A night of gentlemen’s conversation, drunk and sober, at Athens in its glory days, highlighted by soliloquies “in praise of Love” by Aristophanes, Alcibiades, Agathon, and Socrates. Truman Capote wishes he threw a party like this.
by Carey, Christopher
Still extant are the actual lawyer’s arguments from a number of famous ancient cases. Trust me, Johnny Cochrane had nothing on these slick Athenian legal eagles.