Steve's All Is Lost Moment, 1974

Writing Wednesdays

Writing Wednesdays

Frank Sinatra Does Not Move Pianos

By Steven Pressfield
Published: February 22, 2017

 

I’ve quoted Dan Sullivan before and I’m gonna do it again. Do you know him? He’s the founder and CEO of Strategic Coach and one of the great mentors to entrepreneurs in the world. So, in keeping with this series on the Professional Mindset, let me rip off a few more of his ideas for you. (Thanks, Dan!)

Frank Sinatra sings ... and he prepares to sing.

Frank Sinatra sings … and he prepares to sing. Nothing else.

Dan tells the story that when he was in the army stationed in Korea, one of his jobs was putting together shows for the troops. Frank Sinatra came over one time. Dan studied him carefully and, as he says,

 

One of the things I learned was that Frank Sinatra does not move pianos.

 

Frank has other guys who do that. Frank does only two things, Dan says.

 

Frank Sinatra sings, and he prepares to sing. That’s it.

 

Dan has a concept he calls “Unique Ability.” This, he explains, is the entrepreneur’s gift. It’s her singular talent, the one thing that she brings to her business that nobody else can bring.

Steve Jobs had a Unique Ability.

Seth Godin has it.

Shawn has it.

You have it too. In many ways your job as a writer or an artist is to find out what your unique ability is and then organize your day, your month, and your year in such a way that you maximize your time exercising your unique ability and minimize or outsource everything else.

When I was in Israel researching The Lion’s Gate, I interviewed a number of people who had been close to Moshe Dayan, the great Israeli general and Minister of Defense. I heard over and over that Dayan used to say, “I don’t want to do anything that somebody else can do.”

In other words, Dayan brought something unique to the table. No doubt it was hard to define. It was an intangible. Vision, perhaps. Charisma. Whatever it was, he understood it and so did everyone around him.

His soldiers did not want Moshe Dayan to move pianos. If he tried to move a piano, his officers would have tackled him and dragged him off the stage. They wanted Dayan to command, to do what he could do that nobody else could do.

Moshe Dayan

Moshe Dayan

Dan Sullivan, when he speaks of unique ability, is not thinking specifically of writers or artists, he’s thinking of entrepreneurs. He’s thinking of Larry Ellison or Sergey Brin or Steve Jobs. But the concept applies, I believe, more to writers and artists than to anybody.

Stephen King has Unique Ability.

So does Toni Morrison.

And Tom Wolfe and Harper Lee and J.D. Salinger.

Each of them brings something to the party that nobody else can bring.

I read somewhere that we all should find that one thing that we can do better than anyone else in the world. When I first heard that, I thought, “That’s a bit grandiose, isn’t it? What could we possibly do that fifty thousand other people couldn’t do better?”

But I was wrong.

I have something, maybe more than one thing, that I can do better than anyone else in the world. So does my friend Randy and my friend Victoria. So do you.

My friend Mike just showed me a manuscript he’s been working on for five years. The pile of pages was a foot high. Mike’s book had created an entire world, down to the most minute details. He was, in the arena he had envisioned and brought to life, the best in the world. He was Frank Sinatra.

As writers and artists, our unique ability is our voice. Our peculiar, idiosyncratic point of view. Our sense of humor, our sense of irony, our one of a kind vision of the world.

Don’t feel bad if you’re twenty years old or forty years old and you’re saying to yourself, “I don’t know what my unique voice is.”

The truth is we don’t know what our voice is until we sing once, and sing again, and sing again and again.

I’ve said before that I had no idea what books would come out of me until they came, and when they did, I was more surprised by them than anybody.

Our voice is there already.

We were born with it.

Our Muse knows it, even if we (so far) don’t.

We reveal it to ourselves and to the world through work. By following our creative heart and seeing what comes out.

The Professional Mindset is about NOT moving pianos. It’s about finding that unique voice that is ours alone.

Frank Sinatra sings, and he prepares to sing.

That’s it.

 


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ADDITIONAL READING » CLASSICAL GREECE

Additional Reading: Classical Greece

Ambition to Rule, The

by Forde, Steven

Brilliant scholarly dissertation on the mind-set of Alcibiades and the politics of imperialism in ancient Athens. You’ve gotta be a real aficionado to find this book (try your local college library) and get through it. But it will reward the serious reader. I borrowed all kinds of goodies from Forde for Tides of War.

Athenian Trireme, The

by Morrison, Coates, and Rankov

Triremes were the famous ancient warships with three banks of oars. The problem: no one of the past 1500 years knew how the old guys did it. All design and engineering has been lost. The authors of this book play detective, scouring ancient texts, coins, carvings, and using their own imaginations. They figure it out, then build a trireme of their own. It works! Fascinating.

Education of Cyrus (aka the Cyropaedia), The

by Xenophon (Loeb Library, two volumes, translated by Walter Miller)

Though this book purports to narrate the upbringing and conquests of the great Persian king, in truth the society Xenophon describes is that of Sparta (no outsider knew it better than he), complete with “peers,” good manners at the dinner table, and why a true warrior never urinates on campaign (he should have eliminated excess water entirely by sweating).

Histories, The

by Herodotus (translated by Aubrey de Selincourt)

This is the book “The English Patient” was carrying. Funny, personal, and very entertaining, this book recounts the history of the clashes between Greeks and Persians, out of which arose the modern world. The battle of Thermopylae is in here—and Marathon, Salamis, and Plataea—plus dozens of zany, fascinating flashes into ancient life.

History of the Peloponnesian War

by Thucydides (translated by Rex Warner)

Tough sledding because of the dense but absolutely brilliant prose. May be the greatest book on war and human nature ever written. Timeless.

Indispensable Spartan Website, The

by Houston, Paul

My friend Paul Houston, in England, put together Sparta World, a work-in-progress website for Spartaphiles and aficionados of all things Spartans. The site is interesting in and of itself (and constantly evolving) and also a great jumping-off point and clearinghouse for re-enactor groups, hoplite fighters, artists, writers, and all other contemporary upholders of the Lakedaemonian tradition and ethos—and just for the fun of it. Paul invites all interested groups and individuals to contact him, link to the site, and network with their “peers.”

Landmark Thucydides, The

by Thucydides (edited by Robert B. Strassler)

A different but also excellent translation—but this one comes with maps, dozens and dozens, down to postage-stamp sizes, on almost every page. They help.

Last Days of Socrates, The

by Plato (translated by Hugh Tredennick)

Okay, okay . . . Two works by Plato . . . Translated by Hugh Tredennick, The Last Days compiles four dialogues into an organic whole narrating the trial, conviction, and death by hemlock of Socrates. Deep stuff on the subject of dying.

On Sparta

by Plutarch (translated by Richard J.A. Talbert)

The best one-book introduction to Sparta and Spartan thought. Several of Plutarch’s Lives of famous Spartans, plus Sayings of the Spartans and Sayings of the Spartan Women. Start here.

Persian Expedition, The

by Xenophon (translated by Rex Warner)

Ten thousand Greek mercenaries follow Cyrus the Younger’s three months’ march into the wilds of Persia, then lose the battle they came to fight. Xenophon was there as a young officer. His tale of the Greeks’ long and harrowing retreat against the hordes determined to obliterate them is justifiably immortal. Hollywood’s The Warriors, about a street gang from Brooklyn, was cleverly knocked off from this.

Plutarch’s Lives

by Plutarch

Easiest to read of all “the sources.” Short bios, packed with anecdotes and wisdom, of every great man of the Classical era. Plutarch wrote them in pairs, juxtaposing Caesar to Alexander, Alcibiades to Coriolanus, that sort of thing. My faves: Lycurgus, Solon, Themistocles, Alcibiades, Alexander.

Rise and Fall of Athens, The

by Plutarch

This Penquin paperback assembles the lives of all the major players in Athens’ rise and fall—Theseus, Solon, Themistocles, Cimon, Pericles, Nicias, Alcibiades, and Lysander. A brilliant editorial concept, The Last Days can be pretty scary when you read-in the parallels to the contemporary United States.

Spartan Army, The

by Lazenby, J.F.

Another hard-to-track-down work (try the Reference Librarian) that may lack the readable touch, but is crammed with great esoteric stuff like what the Spartans called a platoon leader [an enomotarch.] Only for true Sparta fanatics.

Spartans, The

by Cartledge, Paul

Chairman of the Classics faculty at Cambridge, Cartledge is the expert, from whom I have also borrowed major tonnage. Here he’s not writing an exhaustive, all-inclusive tome, but hitting the high spots with great depth, if you know what I mean.

Symposium, The

by Plato (translated by Walter Hamilton)

Hard to pick only one work from this great writer, thinker, and wrestler (Plato was his nickname, meaning “broad-shouldered”) and protégé of Socrates, but this is it. A night of gentlemen’s conversation, drunk and sober, at Athens in its glory days, highlighted by soliloquies “in praise of Love” by Aristophanes, Alcibiades, Agathon, and Socrates. Truman Capote wishes he threw a party like this.

Trials from Classical Athens

by Carey, Christopher

Still extant are the actual lawyer’s arguments from a number of famous ancient cases. Trust me, Johnny Cochrane had nothing on these slick Athenian legal eagles.

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