By Callie Oettinger
Published: January 23, 2015
In the March 1914 edition of Vanity Fair, James L. Ford discussed movies as a menace to stage.
A hundred years later, in the March 2014 edition of Vanity Fair, James Wolcott called “Everyone Back to the Cineplex” (after two years before writing, in the May 2012 issue of Vanity Fair, that “cinema has lost its sanctuary allure and aesthetic edge over television.”)
In March of this year, Tina Fey and Robert Carlock’s new Netflix series, “The Unbreakable Kimmy Schmidt,” will be released, and the conversation that will follow this already-buzzing series promises to be a continuation of the old-as-dirt debate that one format is in decay and another is taking its place.
That argument is rubbish. In the late 70’s, the Buggles sang “Video Killed the Radio Star,” but the reality is that a new medium didn’t kill the radio star or the theatre production or film or books or television shows. Lack of vision killed the second-rate versions of all of these, while the classics survived and the visionaries emerged.
Posted in What It Takes
ADDITIONAL READING » FAVORITE FICTION
by Percy, Walker
National Book Award winner 1963. New Orleans stockbroker Binx Bolling (one of the great characters of contemporary fiction) battles Kierkegaardian despair with the help of his cousin Kate, an ultra-dry sense of humor, and a compulsion for going to the movies.
by van der Post, Laurens
A close second: World War II classic by the South African master. A tale of two brothers, a Japanese prison camp, and the soul’s triumph over suffering and isolation.