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Writing Wednesdays

Writing Wednesdays

The Writer’s Skill

By Steven Pressfield
Published: July 1, 2015

The artist’s world is mental.

Paramahansa Yogananda in the photo that came to be called "God's Boatman."

The sculptor may manipulate clay, the software writer may work with code, but, like the filmmaker and the mystic, their real tools are Shadows and Light.

The sphere of the artist is the mind.

Her currency is imagination.

She asks (how can she not?), “Where do ideas come from?”

Did Rhapsody in Blue come to Gershwin in the shower? Was J.K. Rowling baking a pie when she first imagined Hogwarts? Or was he at the piano and she at the typewriter keyboard?

Like the Zen monk or the meditator, the artist enters a mental space. An empty mental space. He becomes a child. She becomes a vessel.

They tune in to the Cosmic Radio Station and listen to whatever song is being broadcast specifically to them.

What, exactly, is the writer’s skill?

We know what a carpenter does. We can understand the work of a surgeon. But what does an artist do? Of what does her skill consist?

It’s this:

The artist enters the Void and comes back with something.

Her skill is to turn off the self-censor.

Her skill is to jump off the cliff.

Her skill is to believe.

As artists, what are we believing in? We’re believing in a model of the universe (or at least of consciousness within that universe) that is not random, not pointless, not devoid of meaning.

We’re believing in a mental reality that is active, creative, self-organizing, self-perpetuating, infinitely diverse and yet cohesive, governed by laws that are not beyond the grasp and ken of human understanding.

We’re believing that the universe has a gift that it is holding specifically for us (and specifically for us to pass on to others) and that, if we can learn to make ourselves available to it, it will deliver this gift into our hands.

Believe me, this is true.
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Golf Is My Game

by Robert Tyre (Bobby) Jones

In my opinion, the best golf book ever written. Kind of a hodge-podge actually, with tips and lessons mixed in with autobiographythe story of the Grand Slam, and even a chapter titled “The StymieLet’s Have It Back!” Like so many memoirs by great men and women who aren’t professional writers, it rings true as gold, page after page. If Bobby wants the stymie back, I’m all for it.

Harvey Penick’s Little Red Book

by Penick, Harvey

If authenticity is a virtue, this is the supreme manifestation of it. Harvey Penick and John Wooden both radiate that quality of true-blue excellence and generosity, which explains why both have produced so many champions and are both so revered by all who knew them. Simply sensational.

Cosmic Laws of Golf, The

by Printer Bowler

Full disclosure: young Printer is a dear friend. This is a slender volume that goes deep, from an officer during the Vietnam War who has lived a full and profoundly observed life and distilled there from many lessons that go beyond the front nine or the back. It’ll help your golf game, too.

Golf in the Kingdom

by Murphy, Michael

Best book ever on golf and spirituality. Packed with wit and inventiveness, not at all full of itself, Kingdom is a yarn you can read over and over. Shivas Irons is probably the greatest fictional golf creation, short of Carl from Caddyshack. And Michael Murphy is erudite. Do you know the scene in Plato’s Symposium, when Alcibiades arrives, drunk, at the dinner party, and enters to make a speech in praise of Socrates? Well, Murphy knocks this off to brilliant effect with a speech in praise of Shivas—and never even winks at his readers.

Secret of Hogan’s Swing, The

by Bertrand, Tom and Printer Bowler

Golfing cognoscenti remember the late John Schlee’s student-mentor relationship with Ben Hogan that, alas, ended with both their deaths. Were Hogan’s final secrets lost? No, because Schlee passed them on to celebrated San Diego teaching pro Tom Bertrand. Here, working with Printer Bowler (author of the excellent Cosmic Laws of Golf), Bertrand delivers to us the master’s last secrets on pronation/supination, the left hip, the right knee, and much more—plus fascinating psychological nuggets on competition and the keys to victory. Hogan’s concept of “the moving wall” alone is worth the price of the book. A must-read for Hogan fans and golfing aficionados of all kinds.

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