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Writing Wednesdays

Writing Wednesdays

Nobody Knows Nothing, Part Two

By Steven Pressfield
Published: September 24, 2014

We were talking last week about how hard it is to evaluate material, particularly your own.

Not even Quentin Tarantino knows everything.

How do you tell if your new novel, your start-up, your Cuban-Chinese restaurant is any good? Who can tell you? Whose judgment can you trust?

In the literary/movie field, entire industries have evolved to respond to this need. Robert McKee (full disclosure: my friend) has established himself, among others, as the guru of Story Structure. A vocabulary, from Bob and other analysts, has spread through every studio and production company. “Inciting Incident,” “Second Act Turning Point,” “All Is Lost moment” are phrases that every script reader and development exec knows by heart.

Why? Because they help bring order out of chaos. They shed light on the mysteries of story. Is this book/screenplay working? Why? If something’s wrong, what is it? And how do we fix it?

Story analysis is the industry’s attempt at a diagnostic instrument. Is it art? Is it science? Is it bullshit?

Should you, the writer, study this stuff? Should you craft your stories to suit the guidelines and principles of “story structure?” Will the exercise inhibit you? Will it make you self-conscious, over-analytical? Will it reduce your work to formula?

Should you remain ignorant?

Are you a genius?

Does your gift set you beyond the need to know the principles of your craft?

Here’s my answer in two questions:

1. Who has bent the rules more successfully over the past twenty years than Quentin Tatantino?

2. Who understands the rules better than Quentin Tarantino?

I’m a believer in knowing the rules. You have to be familiar with the vocabulary. You have to understand the conventions of the genre you’re working in, even if (particularly if) it’s a genre that you yourself have just invented.

And yet …
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The Legend of Bagger Vance

Memorable . . . a page-turner . . . golf played a foot from Alice's looking glass, with mystical realms poised to engulf the reader at every turn . . . Bagger Vance is a success, climbing to an uplifting conclusion on a well-constructed scaffold of suspense.
—Sports Illustrated
Golf and mysticism . . . a dazzler and a thought-provoker.
—The Los Angeles Times
BUY THE BOOK: Hardcover | Paperback

In the Depression year of 1931, on the golf links at Krewe Island off Savannah's windswept shore, two legends of the game, Bobby Jones and Walter Hagen, meet for a mesmerizing thirty-six-hole showdown. Another golfer will also compete—a troubled local war hero, once a champion, who comes with his mentor and caddie, the mysterious Bagger Vance. Sage and charismatic, it is Vance who will ultimately guide the match, for he holds the secret of the Authentic Swing. And he alone can show his protégé the way back to glory.

[This first passage is from the book's very beginning.]

A NOTE TO THE READER

In May of 1931 an exhibition match was held over 36 holes between the two greatest golfers of their day, Walter Hagen and Robert Tyre "Bobby" Jones, Jr. The match was the second and last between the two immortals (Hagen shelled Jones, 12 and 11 over 72 holes, at the first in Sarasota, Florida in 1926.) This second match was held at what was, at the time, the most costly and ambitious golf layout ever built in America, the Links at Krewe Island, Georgia.

Much has been written about the rather odd events of that long day. We have Grantland Rice's dispatches to the New York Tribune, which were published at that time. The notes and diaries of O.B. Keeler devote several quite absorbing pages to the match. And of course the reports from the dozens of newspapers and sporting journals which covered the event.

One aspect of that day, however, has been largely overlooked, or rather treated as a footnote, an oddity or sideshow. I refer to the inclusion in the competition, at the insistence of the citizens of Savannah, of a local champion, who in fact held his own quite honorably with the two golfing titans.

I was fortunate enough to witness that match, aged ten, from the privileged and intimate vantage of assisting the local champion's caddie. I was present for many of the events leading up to the day, for the match itself, as well as certain previously unrecorded adventures in its aftermath.

For many years, it has been my intention to commit my memory of these events to paper. However, a long and crowded career as a physician, husband, and father of six has prevented me from finding the time I felt the effort deserved.

In candor, another factor has made me reluctant to make public these recollections. That is the rather fantastical aspect of a number of the events of that day. I was afraid that a true accounting would be misinterpreted or, worse, disbelieved. The facts, I feared, would either be discounted as the product of a ten-year-old's overactive imagination or, when perceived as the recollections of a man past seventy, be dismissed as burnished and embellished reminiscences whose truth has been lost over time in the telling and retelling.

The fact is, I have never told this story. Portions I have recounted to my wife in private; fragments have been imparted on specific occasion to my children. But I have never retold the story, to others or even to myself, in its entirety.

Until recently, that is. Attempting to counsel a troubled young friend, for whom I felt the tale might have significance, I passed an entire night, till sunrise, recounting the story verbally. It made such a profound impression on my young friend that I decided at last to try my hand at putting it down in written form.

This volume is that attempt.

I have chosen, for reasons which will become apparent, to tell the tale much as I recounted it that night. It is a story of a type of golfer, and a type of golf, which I fear has long since vanished from the scene. But I intend this record not merely as an exercise in reminiscence or nostalgia. For the events of that day had profound and far-reaching consequences on me and on others who participated, particularly the local champion referred to above.

His name was Rannulph Junah, and Bagger Vance was his caddie.

Hardison L. Greaves, M.D.
Savannah, Georgia
May, 1995

"The Legend of Bagger Vance is such an entertaining book on the surface you hardly realize you are being taught some of life's greatest truths. Pressfield has seamlessly brought together that rare combination of fun and enlightenment in a novel that seems destined to take its place alongside some of the great works in golf literature."
—Links Magazine
"The Legend of Bagger Vance is quite simply the best golf novel I have ever read, but it is so much more than that. We all know that the true game is played against one's inner self. Steven Pressfield has captured the essence of that battle better than any of his predecessors. I was utterly riveted by this work of art, and literally covered with goose bumps for many hours until I had finished it at a single sitting."
—Ben Wright, author of Good Bounces and Bad Lies and The Spirit of Golf
"Truly a delight. Even now when I play in professional tournaments I think of the positive effect Bagger Vance had on everyone associated with him. He will be with me for many years to come."
—Patty Sheehan, Solheim Cup captain and member of LPGA Hall of Fame
"Pure magic! I read it straight through in one sitting. It should be required reading for anyone who loves the game and has a sense of its history and mystery."
—Deane Beman, former Commissioner of the PGA Tour
"The Field of Dreams of golf . . . the only golf novel ever written that earns 'couldn't put it down' accolades. This is a book that will remain with readers for a while, and will certainly emerge every time they step on a golf course."
—Book Page
"Memorable . . . a page-turner . . . golf played a foot from Alice's looking glass, with mystical realms poised to engulf the reader at every turn . . . Bagger Vance is a success, climbing to an uplifting conclusion on a well-constructed scaffold of suspense."
—Sports Illustrated
"Good stuff . . . a philosophical fantasy imagined on a golf course, heavy with fog, storm, fireworks and howling winds of supernatural forces."
—The New York Times Book Review
"Golf and mysticism . . . a dazzler and a thought-provoker."
—The Los Angeles Times
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